Download PDF , by Harold Speed

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, by Harold Speed

Download PDF , by Harold Speed

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Product details

File Size: 3091 KB

Print Length: 132 pages

Publisher: Superior Formatting Publishing (July 1, 2010)

Publication Date: July 1, 2010

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B003WMA7DS

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Amazon Best Sellers Rank:

#126,141 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

There are a lot of books on the fundamentals. A lot of art books say for both beginners and advanced artist. But honestly most are made for beginners to follow. And it’s understandable to a point cause, lets face it, they are trying to sell books.But this book honestly delivers on the taking your skills to a higher level. It doesn’t do this by teaching step by step and honestly the book has very few pictures in it. it makes you better by making you aware of elements you might have not thought of before. cause at this point you should know your craft and know how to work a pencil. but knowing the subtleties that make one drawing look better then another takes a whole different form of understanding.A wood caver can carve out a chair with perfect seamless precision but you still might not want to buy it. I think the book really is about analyzing style. Why one style speaks to you and another one doesn’t. Its about the mood or feeling the lines give you in an abstract way, aside from subject matter and composition. Which is important but when it all works together saying the same thing, Thats what separates a good drawing from a better one.Cause you can learn to render photo real, like a camera would. But what are you adding? This book was very helpful in me finding that unique style.

there are no illustrations/plates in this edition (at least the paperback volume i was sent). this makes the book essentially useless. the quality of the free online version illustrations/plates are very low and near useless as well. whatever the historical value of the text it's difficult to practice without the works being discussed.too bad. others seem to find it really great.i'd go with the bargue book in which the plates are well reproduced, also a good (and popular) book.

This book is a must have for any serious representational artist. Speed's talent for breaking the artistic process down and putting it into words is unrivaled. His illustrations are perfectly matched to the lesson and his incredible talent as a teacher is apparent in his explanations.Where the book is most helpful to the artist are the sections on Line Drawing: Practical and Mass Drawing: Practical. In the chapter on line drawing, Speed sets out, in a succinct style, to explain practical methods of measuring, applying these systems to the figure, the mechanics of light, and foreshortening. He always supplements the technical knowledge he is imparting with a larger aesthetic insight.The chapter on Mass Drawing: Practical is essentially a primer for painting. He simplifies the process by reducing it to drawing with charcoal and using two colors: white and raw umber. By isolating the process in this way, he allows the student to focus on brushwork, drawing, and paint quality. The highlight of this chapter is the excellent portrait demonstration where Speed illustrates his methods of drawing in charcoal, massing in the tones, and refining until the portrait is achieved.The remainder of the book relates more to layout and composition with the exception of the extremely enlightening chapter on portrait drawing. In this chapter, Speed explains what it means to achieve a likeness versus a masterful portrait and details several different approaches in portraiture.My copy of this book is dog eared, underlined, and worn. I've read it again and again and will continue to read it as I progress as an artist. This book is such a bargain considering the depth of content and quality of instruction. I would not hesitate to recommend this to anyone who truly is seeking to grow as an artist. Buy this book, read it again and again as you draw and paint to benefit from one of the most gifted art teachers in print.

While written quite some time ago, and including some negative criticism of what was then new styles of artistic expression, this work is as valuable to the modern artist as it ever was.While the title would lead one to expect it to be mostly useful to illustrators, print makers, or other artists who predominantly "draw" rather than other media, the author spends as much time on painting technique as he does drafting, and his commentary on composition, line, and colour is universal to all two dimensional art forms.I strongly recommend this work, and expect to refer back to it often.

This book is an excellent resource for anyone starting out in teaching themselves to draw. Those who just want a refresher on what drawing should be like in the mind of the artist would benefit. This is a valuable gem showing how the subject should be approached from an acquisition stand point. Guided practice makes perfect. His approach and suggestions for acquiring the skills to draw are isolated as his science by building off the blocks he previously laid down for foundations. These progressive steps should be noted. The theories or plans are presented with pictures of his own design and plates from other artists referred to. He even provides a good selection of reference suggestions that coincide with the discussions and lessons. I would highly recommend this book as one of many for the study without a master, yet a must have even with a teacher. It might open your mind up to the meaning and drive of individual art, or provide a new technique or approach that might have been looked over.

This book gave me an entirely new perspective on composition, color, and shapes.I make videos and dabble with photography in my free time and this book opened my eyes and vastly improved my work. If you want to up your photography game, you most definitely will NOT regret spending the money on this book.This is an extremely easy read and I would recommend rereading it at least once a year.

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